Monday, 23 May 2016

Designing and preparing to stitch a souvenir wedding pillow

If you've been following me on Instagram, you'll have seen this whole project through to completion, but, as it was a rush job, I didn't have time to blog it until now.  IG is great as a whole post can be done in just one or two minutes, although the picture quality often isn't so good and the editing features are limited.

Less yadder, more project.

An old chum is getting married down in London next weekend and I wanted to make him a little something to mark his big day.  I usually ask my friend(s) whether they would like a ring cushion, a wedding sampler sort of thing or something for their home (usually a scatter cushion cover).  I had an idea of a sort of sampler for this couple as the groom's mum had told me that they already had a ring cushion, so I asked her to run it past them.  I got a very useful design brief in return, that they'd like a wedding souvenir cushion, even if only a small one, with white roses, their initials and the date on, and could they have a sprig of lavender too?

I used the open rose and rosebud from Trish Burr's 'Long and Short Stitch Embroidery - A Collection of Flowers' and remembered that there was a lavender piece in 'The A-Z of Thread Painting'.  I traced them, scanned the tracings, resized them and printed them out along with some letters and numbers using a nice font in MS Word (here showing the 28 05 bit accidentally printed out in italic!!)  Each element was cut out and tried in various combinations in a square outline.

Then it was time to move on to colour selection.  I love this part of the process as I adore colour and getting just the right shade is important to me.  Here you can see me with my Anchor colour chart, bags of DMC stranded and a white rosebud photo on my tablet to help me adapt the pinks from the book designs to the needed white (which is to be their main wedding flower).  You can also see my new work area in this shot.

The next stage was to decide which colour was to go where on the thread painted elements, so I made some more copies of the flowers and planned out the shadings.

Following on from that was the tracing of the design onto this lovely lilac and light brown shot silk.

As you can see, I have zero fancy equipment.  Apart from the fact that I have no room to store it, I resent spending money on a specialist item when things that I already have to hand will do just as well.  I frequently use a window as a light box.  In this case, I pinned the tracing (which I'd made good and dark) to the back of the fabric, then taped the whole thing to the window so that it didn't slip during the process.  The pattern was drawn on the fabric using a 0.3mm black biro that I got in Taiwan.

Once the fabric was in the hoop and ready to start stitching, I began to feel that, not only was stranded cotton a little 'large' for the size of the design (the whole thing would be a square with 7"/22cm sides), but that I wanted more sheen.  So, the choice was clear - switch to Piper's Silks.  Each strand is about the same gauge as one of sewing cotton, so about half that of a strand of regular embroidery floss.

I have over 500 shades of stranded cotton, and only 117 of Piper's Silk, so I found my colour choices a little more limited, but, as usual, this only seemed to matter when it came to greens and neutrals.  Funny how other colours can seem to substitute for near shades quite well, but greens, browns and greys always have to be right.  I have 50% again as many greens as most other shades, but still had to make do somewhat.  I nearly ordered some more, but remembered my crafts No Buy in time!!!  I'd also have had to buy more storage for them, which wouldn't have been good.  I also could foresee a saving in stitching time as there's only one 'white' in Piper's, but two in Anchor!!

Next post on this project will show the working of the lavender and the rosebud.  Hope you like the look of this piece so far! =)

Text and images © Elizabeth Braun 2016

Monday, 25 April 2016

Having pregnant friends means.....

lots of baby makes!

While I haven't been blogging much over recent months, I have been doing some needlecrafts of various sorts.  Here are the results of having pregnant friends in my circle and my wanting to use up my knitting yarns and some of the padding stuff I had stashed away.

First of all, another cardigan in my old favourite pattern for a little girl due in June/July:

As you can see, it's finished, but I was over-zealous with the ironing and flattened it out too much. Yesterday, a new crafting friend told me it would plump up somewhat when washed, which I had wondered about too.  Can anyone with good knitting experience advise here, please?

The second baby cardy, for the son of the Franco-Malaysian couple you may remember me making a wedding ring pillow for and who is due late July is almost finished.  I've done a fair bit more on the rib button band than shows here and hope to finish this one off soon.  Not sure I'll stitch anything on to it as it would probably be OTT given the nice diamond pattern.

This one has been an interesting project as I've been using up a yarn that claims to be 4-ply, but certainly isn't.  It's not quite DK either and when I did some tiny knitted up samples to test it against scraps of 4-ply and DK, it measured as mid-way between them.  Seems to be about 6-ply.  So, I'm using a 4-ply pattern at the 0-3 months size, but the 3-6 months lengths along with size 9 and 11 needles and it's working out OK.  I may try to do a pair of matching mittens - even attempt to put the diamond on them, in order to use up more of the 100g ball as I really won't be able to use it alongside other yarns.

Onto the quilting now and I'm also working baby quilts for both of these summer arrivals.

The girl's one is almost done.  I just need to mitre the corners and then slip stitch the backing in place.  I'll probably be saving that final sewing to do when with mum as it's a fairly easy task and I'll be able to carry it around with me.  She enjoys seeing what I'm doing too and has been following along with my knitting. =)

The boy's one is a bit further back and needs the 'X's putting in at the square joins, then the backing trimming and pinning before it gets to the above stage.

I've various fair sized scraps of DK yarn left, so I thought I'd get a 50g ball of white and then make a sort of patchwork cardigan at 6-12 month size for the little girl.  The colours won't suit a boy - pink, lilac, peach etc, but should be good worked in squares with white to break it up a bit and for the edges.  Hopefully that will sort out my odds and ends.  The wadding needed for these two quilts has used up 80% of my supply too, and the also a number of bits of fabric, so that's all great in helping me use up stash.  The only things I've bought for these projects were the flower buttons for the lilac cardy as I don't stock buttons.

Other than that, there are two engaged couples and one or two more who probably will be later on this year, so there are weddings galore to stitch for.  I'm working on a design for the first one and will share that soon.

Text and images © Elizabeth Braun 2016

Friday, 15 April 2016

Good manners in the needlework community

Hello everyone!

Here I am back posting again after a couple of months off.  As regular readers/visitors will remember, we moved home in February and whilst, following a mega declutter and clear out, it took only 3 days to get everything unpacked and sorted out in our new place, it's taking me time to get back into creativity.  I guess I'm finding my new living/dining/workroom a bit cramped and cluttered at times and I've managed to be ill with 3 colds and 1 of my usual nondescript viruses in the two months we've been here!  More on my new workspace and current projects in later posts.

Today's topic is not an actual stitching one, but does touch on matters within the needlework world and has been motivated by a few things I've read and experienced recently (and over the years too, of course): Showing good manners in the needlework community.

There are three main areas that come to mind: 1) Respect of copyright, 2) Blog comments, and 3) Interacting with needlework professionals at shows etc.

1) Copyright.

This is a minefield and the internet, with all it's benefits and pluses, has made the whole issue far more difficult to enforce.  Some people mistakenly think that everything's fair game when it's posted on-line, whilst others mistake 'public domain' for 'copyright free'. To clarify, if something is in the public domain, it is easy and free of charge to access, such as most blogs and websites.  However, this does not necessarily mean that the person who created the content has allowed just anyone to re-use and re-publish their material, which would mean it was copyright free.  Countless sites exist in the public domain, but that have clear assertions of copyright.  This blog is one of them.

It's true that most people don't violate anyone's copyright.  They enjoy on-line material and may even post a link to it somewhere at some time, and there's nothing wrong with that.  The problems begin when, often in an attempt to increase their own site traffic (and which blogger or web writer doesn't want to do that?), or to sell something, someone will post others' material in a way that doesn't respect the original owners' rights, or they give credit in such a way as it appears that the creator gave permission, when they were, in fact, never approached.  I was a bit shocked last week to find that a blogger's photos had been used in a newsletter without her permission.  OK, they were properly credited with a functional link, but despite a 'courtesy of' line, no permission was sought to use the pictures, which were actually copyright!  To be honest, this is rather discourteous.  Most things are down to thoughtlessness, but even so, they aren't polite.

This sort of thing is sometimes further complicated by the fact that there are certain blogs and sites that republish others' material regularly after having first inserted their own URL on the photos.  (See this page, for instance, by a notorious sinner in this regard!  A little note here for Marrietta: Эти фотографии мои и авторские права. Как ты посмел украсть их, поставить свой собственный URL на них, а затем опубликовать их, как если бы они были ваша собственная работа !? Пожалуйста, удалите эту страницу сразу! ЭТО НЕЗАКОННО!  As, of course, I can't leave a comment on her site unless I have a username etc and I can't do that unless I can decipher the Russian, which I can't.  I used Google Translate for the above rant!  Boycott her site for any and all content as she is a brazen copyright thief!)  Along comes a curation site staff member and thinks, 'Oh, I'll have that for the site', but is unable to contact the genuine copyright owner.

I know that there are also unscrupulous curation site people who just take stuff anyway and to heck with proper credits or permissions.  I've found my work re-published this way thanks to seeing it in my Pinterest feed!  When I contacted the site, the excuse was,"Oh sorry, we don't always know where it came from!"  Er, no.  That cat won't jump.  The site staff member had mined about two dozen photos from at least three tutorial posts all carrying a brief copyright statement.  Oh yes, they did know what they were doing and where the material came from.  After having a good look around that site, 100% of the posts I looked at were without any sort of credit to the original author beyond the occasional URL on some photos, and we've seen how reliable those can be!

So, please, please, PLEASE if you are planning to use someone else's photo on your blog, site, forum, social network etc, check thoroughly first for any copyright notices on their site.  Many sites have a special page dedicated to explaining their copyright policy as well as an 'all rights reserved' notice at the bottom of the site and, when it comes to blogs, often at the end of each posting too.  If there is the least doubt, contact the person first.  True, they may never know - I usually find out by sudden increases in traffic from facebook or somewhere showing on traffic counting feeds, or a pin I happen across, but that doesn't make it ok.  Good manners require that someone's rights be respected at any and all times - even when posting on-line or creating a newsletter.

2) Blog comments and e-mails to bloggers

This is something I personally have had little trouble with, but I know that others have and so it's worth covering whilst on the subject of manners.  As also applies to many situations, do think first before adding a blog comment whether it could cause offence or hurt feelings.

The only comment I really objected publicly to was one telling me they didn't like part of my piece.  Now, I don't think that's necessary - and it's hurtful.  Mary Corbet also once posted about how she'd had one or two e-mails telling her that the current long-term project was boring them and that 'everyone was fed up of it'.  Nice that this incredibly rude person felt qualified to speak for all Mary's multi-thousands of readers and insult her, isn't it?  Or not!  If there's a part, or even a whole, of a project that one doesn't like, or is a bit bored with, there really isn't any need at all to say so!  Just skip the posts, ignore the finish, whatever.  Or maybe just say 'I really love the rose part' or something, instead of 'it was better without the bird' unless opinions are actively sought.  That's a different matter, of course!

Incidentally, the reader who left the hurtful remark left another comment on the post in which I'd objected to it and apologised.  I deleted both comments, not because she's no longer welcome to comment (she certainly is!), but because I wanted to protect her privacy and help her save face.  Someone might have seen her apology and then looked back to see what the original remark was etc and that wouldn't have been nice, so I zapped the lot, including my objection - although I confess to having re-posted the nice part of her original comment.... =)

Personal remarks and criticisms etc on someone's blog are also well out of line.  If one doesn't like someone's material or the person themselves, again, there's no need to say so.  Just don't read their blog!

I know I've fallen short of the grade and gave someone what for in a blog comment (making sure it was an old one for relative privacy) once in the past, but I learned from that and now make it a strict policy to stay out of things when there's some sort of contentious thing going on (esp. as you never get all the facts or a fully objective view), and to pass up on any and all opportunities to make a negative remark.  Unless someone's stolen my stuff - then I let rip!!!!

3) Behaviour at Shows

I read a very upsetting post by Jessica Grimm on her blog the other day.  It was genuinely shocking to read all the horrible, rude things that she had had to listen to whilst exhibiting and teaching at needlework shows.  I don't know if this sort of thing happens in the UK too, I expect it does although I hope on a smaller scale, but I was saddened.  Read it and see what I mean.

So, how could that translate to things one might thoughtlessly say or do to long-suffering stand holders at retail shows?  One might bluntly say one doesn't like a design or start to criticise it, maybe saying one wouldn't want to waste one's time stitching it.  One might say it's too expensive and not worth the money.  Especially if the stand-holder is more or less a one man band and is trying to make a living, this is a particularly low kick.  I know that I don't buy kits as I have so much stash already and I may request that the designer could also offer instructions only if something really took my fancy, but to insult their time, skills and work is really unkind.  As a related subject, it may be better to avoid voicing negative thoughts when at exhibitions etc as well.  We never know who is listening and who could be hurt!

At workshops it would be good manners to ask permission to watch if we're not a paying member of the group and only take photos, read instructions etc if given specific permission to do so.  If one is in the class, it's nice for all concerned if no-one monopolises the teacher, talks all the time, shows off or tries to assist in teaching without being invited to do so, and if everyone treats the teacher with dignity and respect.

Again, I realised from reading Jessica's post that there were some things I may have been less than thoughtful in saying, but I was also relieved that I'd never come close to the level of sheer rudeness that some of those women had done.  To be fair, I know from personal experience that at least one of the cultures she has exhibited in is very brusque and can be downright confrontational as an everyday communication mode, but there's never any excuse for such poor behaviour.

I simply can't afford most kits I see at shows and some I do honestly wonder at the pricing of. I remember seeing some counted thread sampler kits at a major needlework kit retailer's stand (so not an individual designer's booth), which were almost £30 for a chart, piece of fabric and a few different types of easily available thread - 2 or 3  gauges of white thread, (stranded and pearl cottons) and a few lengths of an Anchor multi-coloured thread.  I have plenty of all of these and so I wasn't willing to pay something like £28 for yet more of the same, although I may have considered a fiver for a chart or two.  I made comments on the price to my friend when away from the stand, not even to the shop staff!  Even if I've had to tell a designer I can't afford their kits or to book them for a workshop when they suggest that I do (or I'm feeling a little pressured to buy something), I try to do so in an apologetic manner and accompanied by many compliments on their lovely work.

So, that's my rant on the subject over.  Any thoughts from your end?  Any relevant experiences to share?

Accompanying photos all chosen from my own work, just 'cos I liked them.=)

Text and images © Elizabeth Braun 2016

Sunday, 31 January 2016

An ENORMOUS surprise!

Look what I found out about today!  I had no idea until a text came from Glenis telling me that I was mentioned as the Blogger of the Month in the current issue of 'World of Cross Stitching'.

I'd seen a spike in blog traffic over the last week, but couldn't fathom where it had come from.  Now I know.

WOCS is a great magazine that I've had a few dozen issues of over the years.  In fact, my current cross stitch WIP, the Paradise Island, comes from issue 60 from back in July 2002.  It's the third large design I've worked from this issue and the poor magazine itself is getting very much worse for wear.  The cover's fallen off and the pages are getting very 'yonderly', as Mum would say. =)

For those of you who've been kind enough to visit me here after seeing this feature: Hi!  Thank you for taking the time to type in the URL and pay me a call.  To be honest, the description of me and my work is a little on the flattering side as, not only did I quit formal teaching (I used to conduct some classes in beginners' Mandarin Chinese (yes, really!!) at the University of Leeds for over 7 years), over 6 years ago, but the 'awards' are nothing more than winning placements in the local horticultural show where the competition is anything but fierce.  It does sound good though, "she's won awards for her work", doesn't it?!!  Must try and win some more now (Leeds Flower Show??) to try and earn my reputation....LOL!

So, many thanks to the WOCS team for selecting and featuring me and/or anyone who may have nominated this blog (I don't know how it works, but I suppose it may be a combination of editor/journalist's blog rolls and reader suggestions), and I hope I don't disappoint in the future.  As per my last post, things are a little quiet at the as we prepare for our home move on 10 Feb, but I hope to get back into both blogging and having something interesting to blog about within the next month or so.  In the meantime, here are the pieces I've worked from WOCS issue 60, both the two completed ones and the current WIP.

If I remember correctly, this piece which I adapted with a little lettering to be a wedding souvenir, also came from WOCS:

Text and images © Elizabeth Braun 2016

Friday, 29 January 2016

I haven't been posting recently because....

.....we're in the middle of getting ready to move to our new home.  These are some of the things we cleared out today!  Funnily enough, I saw a lady in the charity (goodwill) shop we gave most of this stuff to buying a whole pile of 'Stitch' magazines.  I almost envied her.  Well, maybe I did, just a little!!!

Things should be back up and running here in the next month or so.  Stay tuned!  In the meantime, here's a snap of Dr Sir and I from his recent PhD graduation day. =)

Text and images © Elizabeth Braun 2016

Friday, 1 January 2016

Stitching plans for the year ahead - 2016

I've shied off making goals lists on this blog for a few years now, but I thought I'd brave it out and have another go at it for the year ahead.  What have I got planned?  Well, the biggest project of the year is definitely moving home, which we hope will be in mid-February.  We're flat/apartment-hunting at the moment, and hoping something suitable will come up soon.

Onto stitching things now.  First, of course, is to finish up the projects I current have in progress.  Here they all are as they stand today:

* The Paradise Island cross stitch, which is the largest cross stitch piece I've ever done.  I actually measured it against the other two larger designs I did a few years ago, and it comes out as the winner.

Sir just said that he wonders if I will finish this piece this year... =)

* I also want to get this little needle painting of a violet from Trish Burr's "Fresh Ideas for Beginners' book completed ASAP and mounted in a card for a friend's new home momento.

* Lastly in the current WIP section are these small hardanger designs which I need to finish and get mounted in some tiny cards.  I'm considering selling these on Etsy (with *a few more like them - another project).  Do you think they'll sell?  I'll need to make sure I'm not going to come up against copyright problems before listing them for sale somewhere.  I'll have made enough changes to the original in both materials and actual pattern to avoid it, I should think.  Besides, there's really only so much you can do with designs this small, no?

After those are done, I hope to crack on with the following, although I must say at the outset that this is partly a 'list to choose projects from' and very much subject to change as, normally, as soon as I post something that I plan to do, I want to to do something else as well/instead/etc!!  Some of these regular readers may recognise from previous posts.

* Some more needle paintings from the Trish Burr 'Beginners' book, esp. this lovely dog rose piece.

* This freestyle piece from Sue Newhouse's book that I showed you a few weeks ago.  This has quite a bit in common with the recent Rowandean finish, so I think that I should be able to pull it off OK.

To be honest, I've been feeling quite stressed out recently, so have backed off from any really fancy or challenging pieces, (which is probably why I'm dragging my heels and struggling to get on with my current Trish Burr piece), and all I really want to do is some nice, easy counted work.  Here are some ideas that I have kits and/or materials for and would like to crack on with this year:

* I longed for this luscious 'Embroideress' blackwork kit for a while before Sir presented me with it as part of an anniversary present a good few years ago.  It's time I got on with it!  I plan to work it using stuff from my stash and then sell the kit on complete or semi-complete, depending on whether or not I use the 18ct Aida provided, or some of my own evenweave- if I have any 36ct, which I don't think I do.

* Most of the above can be repeated for this 'Farewell' blackwork pic.  I have another super-duper blackwork design too, but I need more experience and confidence with blackwork before tackling that, methinks.

* It's been a while since I did a decent sized hardanger piece and, as I have fabric and threads enough for two or three white on white pieces, how about one of these Mary Hickmott design runners to start with?  I love her hardanger stuff as long-term readers will no doubt have noticed. =)

* If you remember the 'Tudor Lady' cross stitch, you might be interested in a companion piece I'd like to stitch by the same designer, Sue Page - the 'Medieval Lady', which I forgot to take a photo of and can't find one on Google!!

I also have these few more kits in stock that I may pick up and work.

And there'll no doubt be some cards and perhaps some small gifts along the way too.

On top of the above, and maybe selecting something from them, there are also any Show entries to consider and plan for.  As I mentioned yesterday, I may not be able to join in the Sheffield Show this year, but there'll be the big Leeds Flower Show - a far bigger pond to swim in than the Sheffield one and correspondingly far harder to win anything in - and maybe also the Otley Show, which is in May and local enough to consider entering.  May see what the Ilkley Flower Show does in the way of craft categories too.  (Please let me know if you have any ideas regarding shows etc.)

So, which projects of all the above do you like best and you would most like to see me work and blog about?  Reader interest is always a great motivation and I'm sure I'm far from being the only creative blogger who gets a lot of impetus to do projects from the reactions and encouragement of their blog readership.

Wishing a very successful and productive year to us all!

Text and images © Elizabeth Braun 2016

Thursday, 31 December 2015

Review of the stitching year 2015

Time for another stitching year in review.  Looking back through my blog I see that I've finished up 8 pieces and worked on a handful more that are still in progress (more on those tomorrow anon).  Here are 7 of the 8 (I wasn't very pleased with the other piece), in order of completion.

The first is a hardanger bookmark worked in matching Caron Watercolors and Wildflowers threads from a section of a larger chart, followed by my own charted hardanger design that I actually worked years ago and part finished up into the cushion you see here.  I got it completed earlier this year as a little wedding gift for an old friend.  (Wonder if she used it as a ring cushion?)  It was originally done with a view to being on the Pearl Sweets website as a model of how their threads could be used, but, sadly, that business didn't seem to get far off the ground. =(

Next up we have a cute little meerkat which I cross stitched for my hubby's anniversary pressie (as I'd already bought him what he wanted when it was needed) and the card was the piece I wasn't pleased with.

Next we move on to the 2015 Sheffield Fayre Horticultural Show entries.

First is the third project from Helen M Stevens' "Embroidered Butterflies" worked mostly in Anchor stranded cottons, but with some of the greens in DMC stranded and the metallic touches in two shades of Kreinik cord in two gauges.  I love this piece, but it was hard and intense to work, especially the butterflies.

This embroidery won best in category for 'One Item of Embroidery' in the Show, but that was no achievement given that it was this year's only entry and the arts and crafts section judges seem to give first prize to any sole entry!!!  I did win first prize fair and square last year with my cute bunny (which you can see in the blog header photo selection) and was hoping to make it a cool three wins in succession next August, but we're unavoidably away for the time the entries would need to be staged so, unless I can get someone to do it for me, I'm out of the Show next time. Sigh!

This bellpull made with GAST and WDW threads from a Lizzie*Kate pattern won second prize in the 'One Item of Cross Stitch - Commercial design' category.  Second of four isn't too bad.  Embroidery entries were down on the whole this year, but knitting, which was low last year, went up.  I really hope I can get to enter this coming year.....

Last up for the year we've got two cards.

The first was for my hubby on passing his PhD.  His graduation isn't actually until next month, but I wanted to mark the occasion at once.

Last up is a small sample from the Rowandean Make and Take table at the Harrogate Knitting and Stitching Show in late November.  I finished it up at home with some of my own Anchor and DMC Coton à Broder threads and metallic trims from Kreinik Cable.

So, there you have the finishes for the year.

As regular readers will know, I also worked on three other projects which aren't yet finished, but, as I'm hoping to do something with at least one of them later today, I'll save current WIP status for tomorrow's 'stitching plans for the year ahead' post.

How did 2015 go for your needles??

Text and images © Elizabeth Braun 2015

Sunday, 13 December 2015

Time for a Paradise Island update

First of all, thanks so very much to all of you who left such nice comments on the last posting of the completion of my Rowandean sample card. =)  It was a fun piece to work and, yes, I feel a bit more confident about trying more of that sort of thing in the near future.  I certainly have enough sheer fabrics and special (i.e. not just plain dyed stranded cotton) threads to use!!

Over the last few nights, Sir and I have been watching 'The House of Eliott' on the BBC Worldwide YouTube channel.  He's loving the business development and general drama side of things and I always find this show inspiring and creative, but as I've watched it a time or six, I don't need to pay much attention to the screen, so have been getting on with the Paradise Island greenery.  The first photo shows progress made over the first four episodes and the second, the next two and a bit.

Still a fair amount of tree parts to do and, as it's such bitty work - a few stitches here and there, then change colours - it's taking a long time to get done.  Still, I'm aiming to have this part completed by the end of the year.  Will I?  Well, let's see...

Today I'm home with the start of a cold (probably), but as all the shopping is done, the ironing is up to date and I have good stocks of all the things I need to deal with a cold (Vitamin C, Echinacea, Kleenex Anti-viral tissues, which are incredibly soft, pills and potions if needed and dry skin treatment things for when my poor face dries up!!), it's a good day to slob out, catch up with my blog, mess about with my Pinterest boards and so forth.  I just can't fake feeling sorry for myself!!! =)

Text and images © Elizabeth Braun 2015

Thursday, 10 December 2015

Rowandean piece complete!

This is how far I got on the lovely little Rowandean piece at the Knitting and Stitching Show.

The first thing I did once it was remounted in a hoop to work was to remove the yellow flowers on the far right as I felt it was going to end up looking far too 'stripey' if the colours just alternated.

The second photo is how far I got after the second working session having finished the main flowers and added in a few leafy/grassy sorts of motifs at the bottom.

Here's the final look of the piece with all embroidery completed.  I put in a couple of daisies as well as a few more green bits and white french knot flowers/berries.  Please don't ask me what they or any other stitches are supposed to represent as my knowledge of flowers and plant wildlife is nothing short of pitiful!

I could have brought all the threads I wanted to use to finish the piece with home from the Show, but I decided not to (except a piece of the light blue and lilac variegated one), and to use some of my own stuff instead.  So, I used 4 Coton à Broder #16s and 1 #25, plus some Kreinik gold cable to add in some more sparkle and highlights.  Delighted to have used 3 threads for the first time.=)

When it was all done and I'd even trimmed some of the organza edges, I mounted it in a card as you can see here, followed by a couple of angled close-up shots.  I was quite pleased with the final effect and I hope you like it too.

Text and images © Elizabeth Braun 2015