Wednesday, 12 June 2013

Assembling the stumpwork dragonfly

It's finally complete! The dragonfly is done and today I share with you how the last stages were done.

First I covered the last of the padding stitches with satin stitch in two strands, making the far left hand side considerably narrower to form the head.

Next I added two beads for the eyes.  I still feel these are a little large for the context (actually, the whole insect feels much too large for my comfort), but the ones supplied with the kit were even larger, so it could have been worse!
Following on from this stage was adding in the legs and one or two other parts in Kreinik Cord.  I used the grey-ish brown shade here.

I also added in one or two stitches in dark grey on the tail area in keeping with the real thing - as seen in my good old Brtitsh Wildlife book.=)
Last of all, the wings were attached using the method detailed in my tutorial on assembling a wired stumpwork flower.
And here is the whole finished item from two angles:



So, that's the last of the old DMC stumpwork kits worked up.  I'm glad it wasn't the first one I tried, or it might well have been the last!  The other four were far better.  The designs and instructions were superior and truer to life.  Yes, I know there can be a good deal of artistic license with stumpwork, but I personally feel that the scale inequalities and so on that are part and parcel of the traditional raised work style are more fitted to figurative work, i.e. pictures that look rather like 17th century pieces.  Many modern designs are much more realistic and that's the type of raised work I like best.

What's coming up next?  I've made a start on the first of four bookmarks that are to be gifts for my in-laws and another couple when we're in Germany next month.  They'll all be counted work, which will be nice for relaxation.=)  After that, I need to do two silver wedding cards, both of which will be 'gold' work and freestyle - probably silver hearts with various filling elements and also to finish Sir's anniversary present, which I wasn't able to get done in time to give him this morning.=(  The sampler is coming to Germany with me and I hope to make considerable progress on that there and then I can look at some fresh ideas.

Text and images © Elizabeth Braun 2013

Monday, 10 June 2013

Raised padded stem stitch band

Has it really been almost a month?  I'm shocked!  Well, here I am, still in more or less one piece and with a valiant effort on the dragonfly project to share.  Basically, I've worked out how to do the head, body and tail and the first thing to do was to ignore the instructions that came with the kit which, in part, were:

It seemed to me that this working plan was not only biologically inaccurate - the written part described the rounded end as the head and the long, thick part as the body, when the body is where the rounded part is and should have had a small area added for the head, and the 'body' should be much thinner and called 'the tail' - but also that the stitch instructions weren't quite right.

I realised that it was a padded raised stem stitch band that was being described here, and found much more helpful instructions in  Country Bumpkin's 'The Embroiderers Handbook', which you can see a part of here:


See a major difference?  The kit said work all along one band, but the CB book says to work from one end to the other in columns rather than rows.  As this is what every other set of instructions I've seen for stem stitch band, padded or otherwise, said, I decided to use the CB version instead.

As the tail part was clearly far too wide - dragonfly and demoiselle flies tending to be rather on the narrow side here - I cut the padding back from three stitches wide to two.  Still too wide really, one would have been enough, but I went with two just the same.


The next step was to add in the bands all along the length of the tail section.


After that, beginning at the body end, you need to hook each stem stitch through each band and work from one end to the other.


Repeat this step until the whole area is covered - you might need to put in more lengths than you might think in order to keep the stitches close together and cover the padding well.

And here's the finished result from both top and side:



The next step is to work the body area and the narrower area you may have noticed that I created for the head.  After that, I'll add in two beads for the eyes and put in some legs and so on.  Finally, the needlelace wings, which are now all complete, will be attached and this piece will be done.

Oh, by the way, for anyone who's interested, I've started a Google+ account and am happy to add anyone who follows/reads my blog to my Stitchers circle, where you'll get posts about new blog updates etc.  I also started two communities: Creative Embroidery and Stumpwork and Raised Embroidery, so please do look those up and join!  See you there!

Text and images © Elizabeth Braun 2013

Monday, 13 May 2013

The Dragonfly Blues

I remember it being quite a song and dance last time I did a stumpwork dragon/damselfly and this time is proving to be no different!

First of all, I took a look at the materials in the kit and felt that some changes were in order.  The DMC white metallic thread is all very well for bee wings, but I felt that the colour wasn't quite right for this dragonfly.  So, I checked in my trusty Collins 'British Wildlife Photoguide' and saw that the wings are, as I'd thought, much more of a light, aqua blue than white in nature.  DMC's expanded range of six-stranded metallics contains a lovely, irridescent aqua colour, so I selected than one instead and, rather than struggle to cover the silver-coloured wire, I decided to use some white paper-covered wire from my own supply.

Also, I thought that the pinky brown thread that was put in for the legs etc was too thick.  The book showed a brownish colour though, so I picked out a Kreinik cord, 011C Gun Metal, to work those in.

Having got the colours sorted, it was time to move on to the dragonfly body.  This photo shows the first stage and you'd be forgiven for thinking I'd let a child embroider a rocket on it instead of the basis for an insect!!  This is done with soft cotton and, I think, is a fairly decent idea in itself, but with the exception of the shorter bits for the head.


You can see why in this next picture.  The idea is to work stain stitch over the straight stitches (and raised stem stitch for the body section, which you can see the initial 'bands' for here too), but, I'm not sure if I just worked it very badly or what, because instead of having a head tapered at each end and looking realistic, I found myself with one that was over-fat all the way along and that I couldn't taper in at either end!  This could work quite well as long as the shorter soft cotton straight stitches stopped short of the ends of the section meant to be the head.


Moving on to the wings and here's the wire couched in place for the first wing I worked - one of the more shaped back wings.  Sadly, I managed to well and truly goof it up by not catching all the detached buttonhole stitches together down the centre (I dread to think what I actually did do with those stitches!!) and then to put the outer close-worked buttonhole stitches with the edging to the inside instead of the out.


So, one wing that couldn't be used and, after leaving it a few days, I tried again and produced these two.  I made a good effort to make sure they were worked as mirror images so that the outer edging would be on top BUT I managed to mess that up too and finished up with two identical wings!!  I hate to admit this, but I'm going to use one upside down, fairly safe in the knowledge that no-one will notice and also that I'm tired of these wings and want to be through with them!!!


Here's the first of the front two wings in progress.  As you can see, I decided to use orange sewing thread for the couching on of the wire and tacking together of the two pieces of the needlelace pad just to make it more visible.  This has a minus side too - it's also quite visible if it proves tricky to remove, which it did on one of the back wings.  Anyway, there's just the outer edging to put on this one and then I can safely work another identical one afterwards as they're more of less symmetrical and it doesn't matter.=)



So, in case anyone's been wondering 'What's keeping her with that dragonfly?'  Now you know!

Well, people say, 'Third time lucky', don't they, so perhaps my third attempt at this kind of stumpwork insect will go somewhat more smoothly, (although that sentence makes me seem a good deal more superstitious than I really am, which is not at all!!.  In the meantime, I hope to have the finished item to show you within the next week as, ideally, I'd like to have a go at mounting all four of these DMC pieces and get them on the wall in a hanging display.  And that will be a post to itself!

Text and images © Elizabeth Braun 2013

Tuesday, 7 May 2013

Finished the Pink Baby Cardy


I finished the knitting part of the cardy yesterday morning and did the embroidery part today.  The buttons are a bit too big, to be honest, but they can be squeezed through the buttonholes eventually!!  I sewed them on with yellow pearl #5 thread in order to make a flower centre look.

Here's a close-up of the embroidered part.


The frustrating part now is that I had worked hard to get it done in time to take to my dentist tomorrow morning when I was to go for the second part of a treatment needing two sessions.  I got a call this morning to say she'd actually had the baby over the weekend (so I daresay a 0-3 months size would have been OK!!) and, not only does my poor tooth have to wait another fortnight to be sorted out fully (owww!), but I don't know how I'm meant to get the cardy to new mum!  I plan to drop it in at the surgery tomorrow and ask any of her colleagues who are going to visit to take it with them....

Text and images © Elizabeth Braun 2013

Monday, 29 April 2013

Knitting again....

OK, it's no longer Sunday anywhere on the planet, but I thought I'd just quickly share this with you as I haven't a suitable update on my stumpwork dragonfly.  Basically, I made a mess of the first needlelace wing and couldn't quite get the hang of the body, so I put it on one side for a little while and got on with another baby cardy - this time for my dentist whose having a little girl very soon.  The poor lady has had to put up with me a lot recently, and it's not over yet - I still have another treatment a week on Wednesday, so I thought I'd make a little something for her baby.  Besides, I've rather missed knitting...


This won't be unfamiliar to anyone whose been reading my blog for a few months as it's the same pattern as I've already worked in white and pale green for another baby.  I decided to work this one again as it was relatively quick and easy and, as I want to be able to hand it over when I have the next lot of treatment, speed was of the essence. What you see in the photo here was all done between Wednesday mid-afternoon and Sunday evening, although I don't think I got much done on Saturday.  I did loads yesterday afternoon and evening - from finishing the first sleeve, through the whole of the second to almost completing the first of the fronts!

I plan to look for white flower buttons in town later on and to do some embroidery on it similar to the first, white set that I did a few months ago.  This time I've plumped for the 3-6 month size as the other baby was so big at birth that the 0-3 month was already too small for her!  She's now about 4-5 months and is well into 6-12 month clothes in width, if not in length. I've never seen such a fat baby!

Text and images © Elizabeth Braun 2013

Saturday, 20 April 2013

A new stumpwork and a new venture


Recently I've been slowing working on the old DMC Dragonfly stumpwork kit.  This is the last in the series (well, there was one more, a sunflower and caterpillar design, but I don't really like it, so never got it) and is half done.  This kit was more complete than the last in that I have all the threads and beads I need this time, apart from a suitably coordinating yellow thread for the flower centre beads, but was still short one needle.  The other shall we say 'irregularities' in this kit were that the printed design (over-thick lines as usual....) was a mirror image of the photo on the kit front and there were stems printed where there are none on the photo. For such a big and respected company, I think DMC have been a bit lacking in attention to some detail in some of these kits.  But then, perhaps that's one the problems of being so big...


This first 'in progress' shot shows how the padded satin stitch is worked.  First you fill in the shape a little smaller than you want the finished thing to be and working at right angles to the planned direction of the top stitches.  After that, begin to layer the final satin stitch over the top.  If you're working a pre-printed kit, or indeed any outline on fabric, remember to bring your needle up outside the line, not on it.  If you do this you are sure of covering the line completely.  If you bring your needle up on/through the line, then you will still see a good half of the line outside your shape.  If there's another layer or line of stitches to be added, that's fine, but most of the time there isn't, so do take care to cover the line well.=)


Here are two shots of the completed surface work with a seed beaded flower centre.  The colours are a little 'cool', pale and un-natural (except the flower and the deepest green) - I've never seen turquoise blue leaves before, but then, it is only a representation!=)


Next up is working the dragonfly to which I plan to make one or two changes in materials.  More on that soon as I'll be taking plenty of photos during the process and, yes, there'll be a tutorial coming up for that.  When?  Depends how long the wings take as there are 4 needlelace wings to do and that might take a few sessions worth of work.  Watch this space!

And now to something different....

What do two sections of an old printer packing box..


...a set of second hand dolls house bedroom furniture bought this week on e-bay...


...and an ironing board laden with laundered and nicely softened silk fabric pieces have in common?


They are part of my new venture, which is to open an Etsy shop selling handmade gifts and dolls house textiles within the next few months.  I'm going to be doing some one of a kind, some limited edition (i.e. only 2 or 3 of that design will be made) and some repeatable designs of bedding, scatter cushions/pillows and maybe even curtains for dolls houses made out of really nice fabrics and inspired by the fashion bedding I've seen when we've visited home and DIY stores over the past few months.  Other things I hope to include are some hand made purses/bags and maybe other things like bookmarks and so on.

I need to get a few things trialled and prototyped first and then make enough to stock a decent shop, so it won't be open for a couple of months yet, but I will tell you when it is.  There will be a separate blog dedicated to what's going into the shop to start shortly before the shop opens and I'm madly borrowing library books talking about using social media for sales and working the handmade marketplace (I have to wait for the latter as someone else has beat me to them - sensible person!), so I'm trying to get all the quality, experienced information that I can before really getting going.

Something else I hope to add to the shop in time will be the embroidery kits and so on that I've been toying with the idea of doing for some time.  I've decided against producing wholesale and doing trade fairs etc as that means a lot more work for less than half of the profit and I don't mind staying small.  Far less pressure and I can, basically, take a break or even quit completely at any time I like without wholesale orders stacking up!=)  In time, I hope to produce full kits, design and instruction packs and part kits containing the instructions and harder to source materials such as stumpwork wire, beads and pearl cottons and/or metallics.  I'm also playing with the idea of materials only sets - coordinated colour materials packs that one can get creative with and use for one's own design ideas, maybe even with a few sketches and example pieces included in the blurb.  So, I'll be doing some research on-blog later on in the year, all being well, so please get thinking about what you would like to see on the market and what you would need in terms of materials in a stumpwork kit - everything?  Nothing?  Or everything but the fabric and stranded cottons (like Victoria Sampler accessory packs)

So, tomorrow DH plans to cut those pieces of card for me to make my first mock-up dolls house room set.  I'll be painting or papering the walls and adding in some things to make them look as realistic as I can.  I don't actually own a dolls house, so I don't have access to one to use as a set, but we did have that miniature coffee service in our display cabinet.=)  In the meantime, I'm trying to clear the decks of other projects and work, so have been doing such joyous things as mending and altering to get the pile down.  Four out of six workbasket jobs done already.=)

More soon....

Text and images © Elizabeth Braun 2013

Wednesday, 10 April 2013

A sympathy card


My sister-in-law's father died from lung cancer recently, so I put together a small card for her.  Above you can see the materials including the design transferred onto white silk and mounted into the working hoop, and below you can see the Anchor pattern I took the design from.  It was originally a wedding ring cushion!


Below is the finished item (I took no WIP photos this time as it was a quick piece) with a few extras added in to 'pad it out' and the ribbon attached as well.


I'm part way through the last of my DMC stumpwork kits and will report on that soon.

Text and images © Elizabeth Braun 2013

Wednesday, 3 April 2013

Copyright, Pinterest, posting to facebook and so on

Today I've been thinking about copyright issues again and about how users interpret things differently and about how much these things are really worth the average blogger getting upset about.

Basically, contrary to popular opinion, things posted on the Web, although in the public domain are still the intellectual property of the poster and they still, as in the rest of the media world, hold full rights over how their work is distributed and published.  Many people think that, just because it's technically very easy indeed to re-post someone else's work, that it's OK and legal to do so.  It isn't.  A re-poster doesn't have to claim it as one's own work in order for one using the material (say a photo) without permission to be a violation of copyright.  The arguments that someone 'should be flattered', is getting 'free advertising' (quite irrelevant for most non-commercial purposes anyway) and 'shouldn't post their stuff if they don't want others to use it' are really just poor justifications and the last one makes about as much moral sense as saying that one shouldn't buy a picture and hang it in their own living room if they don't want their visitors to steal it!

However, I realise that, no matter how hard anyone tries, they're just not going to stop people using their material and one can tie oneself up in all sorts of knots and waste so much trying to assert copyright that it brought me to the point of thinking, 'If I grant general permission under, basically, non-commercial circumstances, then there will be nothing to get annoyed about.  No-one will have ignored my wishes as I will have allowed them to do what they have done.'  There are just so very many more important things to spend one's time and energy on.  So, I've re-written my copyright page allowing folk to use my images on social networks, book-marking sites and discussion forums, as long as they provide credits and links.  Yes, you can now 'pin' from here.  People were managing to do so, regardless of the former 'nopin' tag anyway...  As long as it's just a hobby-interest setting and you're not planning on making money, directly or indirectly, from the use of one of my photos, you can use it.  Please don't re-publish tutorials, articles or anything like that though.  Links are all that are needed to these things, as they are already in the public domain.

If there's any doubt about what you're interested in using my blog material for, check out the Copyright page and get in touch with me.  I'm almost always going to say 'yes', although with commercial ventures, I may ask for something in return.

I'm just a medium skill embroideress with a moderately popular blog and getting all twisted up about who uses stuff without my permish is both a complete waste of time (as nine times out of ten you make no impact on them anyway when you protest) and just too unimportant an issue to dwell on.  So, use away (within reason - I don't want to find, say, a blog post with a dozen or more of my photos featured!), but just remember to put my blog link and name on.  I'll be interested to see how quickly images proliferate elsewhere now....=)  I've set up my own boards now with only things from my own blog and from which people may repin.

Thanks and enjoy!=)

Text and images © Elizabeth Braun 2013

Sunday, 31 March 2013

The Sunday Yarn - 31 March 2013


Here is my latest baby knit finish, very likely 'the last in the present series', i.e. until any other babes are in the offing!!

I put off and put off doing the neckline edge on this one as the pattern stated to do the whole thing on one, straight needle, but I couldn't see that being possible as it would stretch the small space at the button band dreadfully.  So, I bought a 60cm circular needle and used that instead.  It took a while to get used to it and it still stretched a lot (I should have used a 40cm one, it seems), but I managed it in the end and the whole things was finished late this last week.

Below is a close up showing the yarn and the knitted fabric more clearly.


So, I don't know when my next yarncrafts post will be, but I think the next project will be to make myself a warm wooly, esp as patterns using the thicker yarns seem to require about the same amount of stitches and rows as a baby cardy in double knitting!!  I need to get hold of suitable materials and take it from there.

I'm pleased with all that I've learned in knitting over the past six months and I feel that I've picked up some really valuable skills that I can use again later on for practical things.  Let's see how soon I can get back to it...

Text and images © Elizabeth Braun 2013

Friday, 29 March 2013

Wired fabric elements for stumpwork

Today I want to share a short tutorial detailing my method for making wired fabric elements for raised embroideries (stumpwork).  It may differ in some parts from other instructions that you may come across.  That's fine - there's rarely only one correct way to do these things and please feel free to work in the way that best suits you, your materials and your design.

A wired fabric-based element is a detached piece that you want to attach to the main design whislt including the fabric the element has been stitched on.  This is in contrast to wired needlelace shapes, which are worked on a fabric pad, then totally removed from it.  Here, the fabric is part and parcel of the shape you want to create and so the method is a little different.  This tutorial doesn't spend much time on embroidery stitches, but it focuses mainly on the wiring and preparing of the detached element.


First of all, you need to cut and bend your wire to shape.  Stumpwork wire bends easily, so you won't need any special tools to do this.  Having said that, don't use your normal embroidery scissors to cut the wire - use wire cutters or, as I do, specially toughened goldwork scissors which were made for cutting metallic wires and threads.


Mount a piece of fabric into a small hoop and couch the wire shape in place using a thread that will not show against the colour you choose for your outermost layer.  It's also worth working on the nearest colour plain dyed fabric you have to that shade too so that fewer cut ends of fabric show when you get to later stages.  I say plain dyed fabric as, if it is only painted or printed, the chances are that the middles of each actual fabric thread may not have taken much (or any) of the colour and may show up white.  In this case, I needed white, but often you will want something else.


Fill in with your choice of embroidery stitches, picking colours, threads and textures that are best suited to your design.  With some fabrics, you may want to minimise or even totally skip this step as you may want the fabric itself to show up clearly with no stitching, or just with some minor decorations such as leaf or wing veins (for dragonflies, for example) and this style seems to be gaining in popularity, possibly owing to speed!!


Once the shape is essentially full of as much stitching as you need, then you need to stitch the whole element securely together.  Some like to do this part first, before filling in and, if that's how you want to work, go ahead!  I prefer to do it later.

There are basically two different ways of doing this securing - one is to use overcast stitch as seen above - just bring the needle up very close to the wire outside the shape and bring it back down again just inside, simply wrapping the wire whilst sewing it to the fabric thoroughly.  Again, some might want to come up inside the shape and go down outside and you can, of course, do it that way too.  I prefer this way around though so that I don't risk splitting and damaging any stitches inside the shape.

The other method is to work around the edge with buttonhole/blanket stitch - which hides any stray thread from the fabric a little better.  Whichever stitch you chose, make sure you work individual stitches very closely together and completely cover the wire.


Here's our shape with the embroidery stitches all complete and secured with white overcast stitches.


To cut the shape out, first go around it fairly roughly - just to detach it from the majority of the fabric it was worked on.  After that, cut around it quite closely.


At this point, I switch to a very fine, sharp pair of scissors (these are my petit point scissors that I use for removing threads in drawn and cut work) and cut even more closely.  When you think you're done, run your fingernail all along the edge of the shape and you'll find a few threads may stick up and you can trim them off quite easily.

If your edging is buttonhole/blanket stitch, you may find it easier to turn the shape over and cut the threads from the back.  Often cutting at a perpendicular angle helps to protect the stitches.  Cut as close as you can to prevent fabric showing.  I've seen some otherwise lovely raised pieces spoiled by insufficient trimming and/or not using coordinating foundation fabric for the wired elements!  White edges are not inevitable!


If, despite all cautions, you do snip a thread, all is not lost!  Just go over it with a glue stick (like Pritt), rubbing lightly down around the cut edge.  There are also products, such as Fray Check, on the market if you want to invest in something specialist for this sort of job.  (Thanks for the tip, Marie!)

And that's it, your detached, wired element is ready to be joined to the rest of your piece.

Here are a few other uses for this type of shape:

Cute ears


Sparkling wings worked on organza and with veins put in with Kreinik blending filament


Raised flower petals - this one worked with buttonhole edging


I'm sure you can think of many more.....

Text and images:  © Elizabeth Braun 2013

 
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